The International Documentary Film Festival Amsterdam is delighted to announce the 60 projects selected for the 30th edition of IDFA Forum, the festival’s co-production and co-financing market. This watershed edition sees a strong return to in-person pitching, with all selected project teams slated to physically attend the event in Amsterdam. In addition to the 22 projects selected for the market’s flagship Forum Pitch category, and the 6 projects selected for the annual Rough Cut Presentations, the upcoming event marks the second edition of the Producers Connection, an exclusive producer-to-producer showcase of 12 selected projects ripe for international co-production. Finally, the market’s new media section, IDFA DocLab Forum, expands this year into a two-day event with a showcase of 20 interactive and XR projects. The 30th anniversary of IDFA Forum takes place in person in Amsterdam’s Felix Meritis from November 12 to 16.
Award-winning filmmakers selected to present new works include Maite Alberdi pitching the much-anticipated project The Eternal Memory, an intimate meditation on love and memory that observes a couple dealing with Alzheimer’s over a four-year period. Also in the Forum Pitch: Filip Remunda brings tragicomedy Love Exposed, on an aging photographer and his filmmaker daughter who struggle to form a healthier relationship; and Anette Ostrø pitches The Golden Swan, a brutal yet healing story on the kidnapping of her brother.
In the Producer’s Connection, highlights include Zaradasht Ahmed‘s The Lions on the River Tigris, a verité project on the healing and resilience of Mosul in Northern Iraq after years of ISIS rule, and Samir‘s new essayistic project The Miraculous Transformation of the Working Class into Foreigners, which poses the question: Why are the workers of yesteryear now called foreigners? In the Rough Cut Presentations, Martín Benchimol presents The Castle, the bittersweet story of a domestic worker who inherits a crumbling mansion from a former employer and hovers on the verge of emancipation with her daughter.
At the DocLab Forum, highly anticipated projects include Dov Heichmer‘s The Chaos Simulator, an immersive smash room of glass and smoke that transforms flying rubble into new worlds. Glen Neath and David Rosenberg bring the DARKFIELD-produced Totem, an immersive, spatial audio piece in which audience members find themselves role-playing as mysterious party guests. In The Anticipation of Rain, Naima Karim uses 6DoF in a multisensory VR installation that plunges audiences into the exuberant experience of a monsoon storm.
A strong contingent of selected projects show filmmakers’ responses to the ongoing war in Ukraine. Pitch project Frontline by Alisa Kovalenko offers an experimental video diary of life on the Ukrainian frontline, bringing together the eye of a soldier and documentary filmmaker. At the DocLab Forum, Ondřej Moravec and Volodymyr Kolbasa present mixed reality project Fresh Memories, which transforms an ordinary apartment into a soon-to-be-invaded place in Ukraine.
Looking at wars around the world, Maryam Ebrahimi pitches The Phantom Pain of Rojava, on the present-day status of the Kurdish resistance against IS and the women’s revolution in Rojava. At the Producers Connection, Let’s Play Soldiers by debut director Mariam Al-Dhubhani considers the ongoing Yemeni war through the eyes of a former child-soldier who tries to protect his brothers from the same fate.
Other projects take the after-effects of war, whether personal or collective, as their starting point. Interactive VR documentary Jacob’s Journey by Joanna Popinska shares the story of a young Jewish boy surviving the Holocaust in Poland. December by Grzegorz Paprzycki, selected for the Producers Connection, reflects on both the indifference and drama of refugees in the EU with 31 winter scenes shot in different countries. In rough cut project Nightwatchers, first-time director Juliette de Marcillac offers a direct cinema experience of the struggle to protect migrants from nightly police hunts in an idyllic ski town.
Across the market, several projects speak to the growing relevance of gender-progressive storytelling. In the pitches: Kani Lapuerta brings youth documentary Niñxs, on a fourteen-year-old trans girl making her own film in small-town Mexico; hybrid documentary Edhi and Alice by Ilrhan Kim follows the cinematic journeys of two very different characters in their process of transitioning; in Under her Skin, directors Simon Hernandez Estrada and Liliana Andrade tell the feminist tale of Natalia Ponce, the victim-turned-activist fighting against acid attacks in Latin America. In the DocLab Forum, When Silence Talks by Paulina Donoso brings together painting and VR to offer a voice for abused women through one survivor’s inner world.
Elsewhere in the selection, high-profile personal family stories take center stage. In the Forum Pitch, Robin by Orban Wallace documents the cathartic journey of Peter Whitehead and his family in discovering the lost biopic by deceased daughter Robin Whitehead, who succumbed to an overdose while filming Pete Doherty. In Where We Belong, first-time filmmaker Susanne Opstal tells the story of the daughter of the infamous Westboro Baptist Church’s founding family, who broke away at the expense of everything. Turning to the DocLab Forum, interactive VR experience Waking Barb creates an AI-powered portrait of theater maker, wife, and mother Barb Sanders based on four thousand recorded dreams.
The Producers Connection is made possible by Eurimages. IDFA Forum is made possible by the Ministry of Education, Culture and Science of the Netherlands and Creative Europe Media.
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This post was last modified on October 7, 2022 6:12 am
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