Brussels Short Film Festival announces lineup

March 18, 2022 (DeeD News) – Brussels Short Film Festival, or BSFF, an Oscar-qualifying film festival, has announced the lineup for international competition.

The 25th Brussels Short Film Festival, or BSFF, has unveiled the lineup for the international competition of the Belgian Oscar-qualifying festival to be held in late April, organizers announced on March 13th, 2022. The 25th edition of the Brussels Short Film Festival, or BSFF, is scheduled to take place from April 20-30, 2022 in Brussels, Belgium.

The Brussels Short Film Festival, or BSFF, has been run by the non-profit organization ‘Un Soir … Un Grain’ since 1998. The BSFF is an annual event and has taken place every year since its inaugural event, with the exception of 2020, due to the COVID-19 pandemic.

BSFF, or Brussels Short Film Festival, has been an Academy Awards qualifying film festival since 2018—the winners of the International and National Competitions are eligible for consideration in the Best Animated Short Film or Live Action Short Film category of the Academy Awards, with no requirement for the usual theatrical run beforehand.

56 short movies have been selected to go on screen in the international competition section of the Brussels Short Film Festival, or BSFF, in Belgium.

Movies in international competition are from Poland, Brazil, Iceland, Chile, Spain, Austria, Germany, Slovakia, Israel, Greece, France, Switzerland, Kosovo, Australia, USA, Norway, Croatia, Albania, Finland, China, Hong Kong, South Korea, Canada, Italy, United Kingdom, Belgium, Sweden, Estonia, Georgia, Palestine, Lebanon, Czech Republic, Slovenia, Macedonia, Serbia.

International Competition of Brussels Short Film Festival 2022

‘Airborne,’ by Jobczyk Andrzej, from Poland;
‘August sky,’ by Jasmin Tenucci, from Brazil, Iceland;
‘Bestia,’ by Hugo Covarrubias, from Chile;
‘BFFS,’ by Elia Urquiza, from Spain;
‘Blaues Rauschen,’ by Simon Maria Kubiena, from Austria, Germany;
‘Bolo raz jedno more,’ by Joanna Kozuch, from Slovakia;
‘Bracha,’ by Aaron Geva, Mickey Triest, from Israel;
‘Brutalia, days of labour,’ by Mavris Manolis, from Greece;
‘Cataracte,’ by Faustine Crespy, Laetitia de Montalembert, from France;
‘Cavales,’ by Juliette Riccaboni, from Switzerland;
‘Censors of dreams,’ by Léo Berne, Raphaël Rodriguez, from France;
‘Colonie,’ by Romain Daudet-Jahan, from France;
‘Elizabeth,’ by Zifrut Nitzan, from Israel;
‘Fanfare,’ by Léo Grandperret, from France;
‘Four pills at night,’ by Leart Rama, from Kosovo, Switzerland;
‘Gamineries,’ by Mikael Gaudin, from France;
‘God in the Sky,’ by Dan Fox, Sean Peter Fox, from Australia;
‘Guadalupe,’ by Barba David, from USA;
‘Harta,’ by Julia de Paz Solvas, from Spain;
‘Haut les coeurs,’ by Adrian Moyse Dullin, from France;
‘Have a Nice Day Forever,’ by Tatiana Delaunay, from Norway;
‘I’m not telling you anything just sayin’,’ by Sanja Milardovic, from Croatia;
‘Je joue Rodrigue,’ by Johann Dionnet, from France;
‘Kadillak dhe Manaferra,’ by Suela Bako, from Albania;
‘Kierre,’ by Salla Sorri, Eva-Maria Koskinen, from Finland;
‘Lili Alone,’ by Zou Jing, from China, Hong-Kong;
‘Lip rouge,’ by Minseo Cho, from South Korea;
‘Little Berlin,’ by Kate McMullen, from France;
‘Lolos,’ by Marie Valade, from Canada, Quebec;
‘Lucienne dans un monde sans solitude,’ by Geordy Couturiau, from France;
‘L’ultimo spegne la luce,’ by Tommaso Santambrogio, from Italy;
‘Mañana/Pasado,’ by Alejandra Andino, from Chile;
‘Mate,’ by George-Alex Nagle, from Australia;
‘Milk,’ by Adam Etheridge, from United Kingdom;
‘North Pole,’ by Marija Apcevska, from Macedonia, Serbia;
‘Nous n’irons plus en haut,’ by Simon Helloco, from France;
‘Odgrzeb,’ by Artur Wyrzykowski, from Poland;
‘Object of Life,’ by Jack Parry, from Australia;
‘Partir un jour,’ by Amélie Bonnin, from France;
‘Pa Vend,’ by Samir Karahoda, from Kosovo;
‘Penthouse,’ by Dahle Vegard, Johansen Line Klungseth, from Norway;
‘Shower Boys,’ by Christian Zetterberg, from Sweden;
‘Son Altesse Protocole,’ by Aurélie Reinhorn, from France, Belgium;
‘Steakhouse,’ by Špela Čadež, from Slovenia;
‘The last day of Patriarchy,’ by Olmo Omerzu, from Czech Republic, Slovenia, France;
‘The letter room,’ by Elvira Lind, from USA;
‘The Ref,’ by Peter Edlund, from USA;
‘The Strange Disappearance of Comrade Kuliakov,’ by Lucas Abrahão, from Estonia;
‘The Watchers,’ by Sandro Souladze, from Georgia;
‘Tótem Loba,’ by Verónica Echegui, from Spain;
‘To the Sea,’ by Lin Po-Yu, from Taiwan;
‘Trois Grains de Gros Sel,’ by Ingrid Chikhaoui, from France;
‘Trumpets in the sky,’ by Rakan Mayasi, from Palestine, Lebanon, France, Belgium;
‘Vlekkeloos,’ by Emma Branderhorst, from Netherlands;
‘Votamos,’ by Requejo Lopez-Mateos Santiago, from Spain;
‘Warsha,’ by Dania Bdeir, from Lebanon.