Short Waves Festival announces 2022 lineup
Short Waves Festival has announced the complete lineup for the 14th edition of the festival, which takes place in the Polish city of Poznań from June 14-19.
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Short Waves Festival has announced the complete list of short films in competition for the 14th edition of the festival, which takes place in the Polish city of Poznań from June 14-19.
Short Waves Festival is one of the most significant Polish festivals presenting short films, responding to world events.
Short Waves Festival aims to create an event that eliminates superficial boundaries between art domains (film, visual art, design, architecture, music), initiates social dialogue and sets new trends in the field of event-cinema.
More than 2,000 submissions have been submitted to take part in the 2022 edition of the festival. 89 short films from 17 countries have been selected by the festival programmers to compete in different competition sections of the festival, organizers announced in an announcement on the festival’s official website. 40 of the short films in competition comes from female directors and male directors has made the other 57 short films.
Short Waves Festival 2022 lineup
14th Short Waves Festival has announced the festival lineup in 5 competition sections:
- International Competition
- Polish Competition
- Polish Experimental Film Competition
- Urban View Competition
- Dances with Camera Competition
International Competition
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- “81 Meters”
- Directed by Jānis Ābele, from Latvia
- “Adjusting”
- Directed by Dejan Petrović, from Serbia
- “All the Things You Leave Behind”
- Directed by Chanasorn Chaikitiporn, from Thailand
- “Anabase”
- Directed by Benjamin Goubet, from Switzerland
- “Becoming Male in the Middle Ages”
- Directed by Pedro Neves Marques, from Portugal
- “Beity”
- Directed by Isabelle Mecattaf, from Libanon
- “The Capacity For Adequate Anger”
- Directed by Vika Kirchenbauer, from Germany
- “Curupira and the machine of the destiny”
- Directed by Janaina Wagner, from France, Brazil
- “The Demands of Ordinary Devotion”
- Directed by Eva Giolo, from Belgium
- “The Detection of Faint Companions”
- Directed by Sandro Aguilar, from Portugal
- “Dmytro. Glory to the Heroes”
- Directed by Clemens Poole, from Ukraine
- “Exalted Mars (Mars Exalté)”
- Directed by Jean-Sébastien Chauvin, from France
- “Golden Jubilee”
- Directed by Suneil Sanzgiri, United States
- “Good Vibes Is All I Need”
- Directed by Saro Vallejo, from Switzerland
- “Gotta fabricate your own gifts”
- Directed by Cyril Schäublin, from Switzerland
- “The Human Torch”
- Directed by Risto-Pekka Blom, from Finland
- “Marblehead”
- Directed by Jack Auen & Kevin Walker, from United States
- “Mulika”
- Directed by Maisha Maene, from Democratic Republic Of The Kongo
- “Nights and Days in July”
- Directed by Jana Bringlöv Ekspong, from Sweden
- “Oczniak”
- Directed by Małgorzata Wowczak, from Poland
- “On Solid Ground (Über Wasser)”
- Directed by Jela Hasler, from Switzerland
- “Open Water – The ability to perceive walls”
- Directed by Georg Eckmayr, from Austria
- “The Parents’ Room”
- Directed by Diego Marcon, from Italy, UK
- “Places We’ll Breathe”
- Directed by Davor Sanvincenti, from Croatia
- “Plans for the Future”
- Directed by Dana Venezia, from UK
- “A Roadside With A View”
- Directed by Paul Razlaf, from Germany
- “Seabreaker (Rompente)”
- Directed by Eloy Domínguez Serén, from Hispania
- “Sierra”
- Directed by Sander Joon, from Estonia
- “Solidarity”
- Directed by Fernanda Pessoa, from Brazil
- “Squish!”
- Directed by Tulapop Saenjaroen, from Thailand
- “(third study for) Swedge of Heaven”
- Directed by Richard Forbes-Hamilton, from UK
- “Tout ce qui était proche s’éloigne”
- Directed by Yunyi Zhu, from France
- “Uninhabited”
- Directed by Camila Donoso Astudillo, from Chile
- “What Dying Feels Like”
- Directed by Philip Ullman, from The Netherlands
- “When the moon was gibbous”
- Directed by Erika Grace Strada, from Denmark
- “Zoon”
- Directed by Jonatan Schwenk, from Germany
Polish Competition
- “Call me Messiah”
- Directed by Andrzej Brzózka, from Poland
- “The Clench”
- Directed by Marcin Kluczykowski, from Poland
- “Five Minutes Older”
- Directed by Sara Szymańska, from Poland
- “Goose”
- Directed by Maria Wider, from Poland
- “The Howling”
- Directed by Bartosz Brzeziński, from Poland
- “Joanna d’Arc”
- Directed by Aleksander Szamałek, from Poland
- “Quiver”
- Directed by Joanna Różniak, from Poland
- “Sharing”
- Directed by Natalia Sara Skorupska, from Poland
- “Sperm Obsession”
- Directed by Klaudia Prabucka, from Poland
- “Turbo Love”
- Directed by Alicja Jasina, from Poland
Polish Experimental Film Competition
- “Atonan Dancing”
- Directed by Bartek Arobal Kociemba, Mads Hemmingsen, Barbara Kaj Kaniewska, from Poland
- “Broadcaster”
- Directed by Wiesława Ruta, from Poland, UK
- “Body map”
- Directed by Krystyna Dobrzańska, from Poland
- “Does the human scream disappear?”
- Directed by Ewelina Figarska, from Poland
- “The Earth Will Swallow It All”
- Directed by Dominik Ritszel, from Poland
- “The House that shadows built”
- Directed by Zuza Banasińska, from Poland
- “Merboys”
- Directed by Kuba Stępień, from Poland
- “Meshes of affection”
- Directed by Weronika Joanna Wiśniewska, from Poland
- “Mon chéri Soviétique”
- Directed by Karol Radziszewski, from Poland
- “Puddles”
- Directed by Piotr Urbaniec, from Poland, The Netherlands
- “Relation”
- Directed by Daniel Dąbrowski, from Poland
- “Soliloquium”
- Directed by Karolina Monwid-Olechnowicz, from Poland
- “Spatial Exploration Of Meaning”
- Directed by Marcel Gadalski, from Poland
- “Tanaka’s Diary”
- Directed by Filip Jacobson, from Poland, Germany
- “To my friends. Next room (Hotel Monterey)”
- Directed by Jan Domicz, from Poland
Urban View Competition
- “2021-1985”
- Directed by Stefano Miraglia, from France
- “A Banana Tree Is No Coincidence”
- Directed by Luiza Gonçalves, from Spain
- “Ahorita Frames”
- Directed by Angelika Levi, from Germany
- “Daedalus”
- Directed by Devis Venturelli, from Italy
- “Expo Film (this film is my memory)”
- Directed by Penny McCann, from Canada
- “Minimal Sway While Starting My Way Up”
- Directed by Stéphanie Lagarde, from The Netherlands
- “Miraflores”
- Directed by Rodrigo Braz Teixeira, from Portugal
- “Misty Picture”
- Directed by Christoph Girardet & Matthias Müller, from Germany
- “Notes from the Periphery”
- Directed by Tulapop Saenjaroen, from Thailand
- “Piazzale d’Italia”
- Directed by Enea Zucchetti, from Switzerland
- “Silence of the World”
- Directed by Riccardo Palladino, from Italy
- “Sun Surface”
- Directed by Vincent Ceraudo & Benjamin Ramirez Pérez, from France
Dances with Camera Competition
- “IO|OI”
- Directed by Francesco Lorusso, from Italy
- “Ag:Au”
- Directed by Alex Cantouris, from UK
- “Amani”
- Directed by Alliah Fafin, from Canada
- “Dancen”
- Directed by Corina Andrian, from Romania
- “Due North”
- Directed by Chantal Caron, from Canada
- “An Evening With Taglioni”
- Directed by Jessica Wright & Morgann Runacre-Temple, from UK
- “Firebird Reimagined”
- Directed by Nauris Buksevics, from UK
- “La Galerie”
- Directed by Loup-William Théberge, from Canada
- “High Winds & Slippery Surfaces”
- Directed by Corinne Jola, Pernille Spence, Zoë Irvine, from UK
- “Neon Phantom”
- Directed by Leonardo Martinelli, from Brazil
- “Passage”
- Directed by Ann Oren, from Germany
- “Unspoken”
- Directed by William Armstrong, from Republic of Botswana
- “Walks With Me”
- Directed by Kati Kallio, from Finland
- “Walls”
- Directed by Carmen Porras & Dani Cobarrubias, from Spain
- “Warsaw Triptych”
- Directed by Natalia Jóźwiak & Sebastian Piotrowicz, from Poland
- “When the Night Falls”
- Directed by Kimmo Leed, from Finland